HAIRY POTHEAD AND THE DEATHLY HALLOWS, Part 1... In case you’re wondering why I made fun of the movie’s title like this, click on this link to a journal entry that I posted about the first Harry Potter film back in 2001. Anyways, I saw Deathly Hallows yesterday...and thought it was good for the most part. The tone of this film is COMPLETELY 180° from that of the first Potter flick, The Sorcerer's Stone, in '01. Lots of blood (and exposed muscle tissue on one of Ron Weasley's arms in one scene... Nasty) are in this movie, and don’t forget that sexual image of Harry and Hermione Granger—both essentially nude as they make out in front of Ron during the moment he destroys that locket with the Sword of Gryffindor (yes, I went on Google to make sure I spelled that name right).
Deathly Hallows had several Lord of the Rings-type moments, which in one way was a good thing (the serious undertone was a welcome change after the kiddy atmosphere in the first 6 movies...though Goblet of Fire and Order of the Phoenix were actually pretty boring because of the dark tone that started to emerge as those films went on) and in another way wasn't. There were shots after shots of Potter and his two threesome partners (err, Hermione and Ron) walking aimlessly about across a grassy/forest landscape before brooding inside that large magical tent that Hermione somehow kept inside her purse. I was waiting for Frodo and the rest of the Fellowship of the Ring to make a cameo, haha. These drawn out sulking scenes were obviously the result of dividing this story into two separate movies. David Yates (who directed this film as well as The Half-Blood Prince and Order of the Phoenix) had to find SOME way to get this Potter flick to the usual 2-½ hour running time...
One thing I really liked about Deathly Hallows, however, were the large number of action scenes in this flick compared to the previous movies. The best scenes in Deathly Hallows were obviously those of Lord Voldemort and/or his minions as they hunted down Potter and company. And nice allegory to the Nazi discrimination of Jews with the whole Muggle persecution by the Ministry of Magic thing. I guess this was J.K. Rowling’s attempt at bringing substance and relevance to this first installment in the final Hairy Pothead film chapter. That is all.
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